en-spiration

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Fri, 17 May 2013 16:53:15 -0500

deathchariot: 幸坊

Fri, 01 Feb 2013 08:04:54 -0600

deathchariot:

幸坊

fashionprowler: No. 21 SS13

Thu, 20 Sep 2012 22:58:00 -0500

fashionprowler:

No. 21 SS13

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Sun, 16 Sep 2012 20:39:09 -0500

Modern Broad: 22 Panels That Work and 60 Panels That Might

Sun, 29 Apr 2012 14:26:54 -0500

Modern Broad: 22 Panels That Work and 60 Panels That Might:

brotherhoodoftheslice:

Ah, panel layouts. Whacha gonna do? Certainly not the same old rows and rows of talking heads. Designing a panel is like cinematography and direction: it controls the mood, focus, and context of the scene by controlling the viewer’s access to your world, so the real trick is figuring out what…

interspacing asked: I’m sorry if you’ve answered this questions before, but… What resolution do you typically work in to have large files that aren’t excessively huge but still maintain quality for later printing (say, at normal book proportions - 8.5x11). What DPI do you scan at? PPI? I’m trying to put together some stuff for printing, and I don’t want to have these massive files (at like 6000x10000) if they’re unnecessary. Thanks so much for your time!

Wed, 07 Mar 2012 17:04:39 -0600

bigbigtruck:

Hi!
I work in grayscale, so I scan and manipulate everything at 600ppi. A full-size comic page (with bleeds) is 4125 x 6300px (6.875” x 10.5”) and usually ends up being around 170MB working, 24MB flattened. The interior pages of my comic were printed in grayscale at 600dpi, and the cover in CMYK at 300dpi.

If you’re working with color, your working file should probably be 300ppi and output at 300dpi, though there are often exceptions. Sometimes I do color work at 450 ppi to have a little more wiggle room.

If you’re working with straight-up black and white lineart, that should probably be scanned at 800 or 1200ppi, then manipulated according to your final output method. The only people I know who print at 800-1200dpi are doing either stark black and white art, or manga-style art with tones.

(I keep saying “probably” here because there are different methods and circumstances everywhere, but I think this is a good baseline.)

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Mon, 05 Mar 2012 21:49:52 -0600

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Sun, 04 Mar 2012 02:04:42 -0600

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Wed, 22 Feb 2012 23:48:21 -0600

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Sun, 29 Jan 2012 21:19:50 -0600

thingymabobs: elijasaurus: montyinspace: polygl0t: hnng suit...

Sun, 29 Jan 2012 14:21:23 -0600

thingymabobs:

elijasaurus:

montyinspace:

polygl0t:

hnng

suits are sexy. boys should wear more suits.

HHHNNNNGGGGGLLLLL.
Just… guh.

~~want~~need… all … of …them.

Oh my god. I’d wear the fuck out of ALL. ALL OF THEM.

Photo

Fri, 13 Jan 2012 00:06:01 -0600

pleaseinsertcoins: More scans from Fashion Design Course.

Tue, 03 Jan 2012 20:24:06 -0600

Coats and what have you

Some nice details to consider

pleaseinsertcoins:

More scans from Fashion Design Course.

90srunway: The Overlook, Alexander McQueen FW 1999

Mon, 26 Dec 2011 22:57:09 -0600

90srunway:

The Overlook, Alexander McQueen FW 1999

Florence + The Machine :: Remain Nameless

Fri, 23 Dec 2011 03:01:03 -0600

Florence + The Machine :: Remain Nameless

witchesandslippersandhoods: Issey Miyake Spring 1999

Thu, 15 Dec 2011 20:29:38 -0600

witchesandslippersandhoods:

Issey Miyake Spring 1999

fuckyeaherololita: Skirt and blouse by Marble.

Mon, 12 Dec 2011 14:13:50 -0600

fuckyeaherololita:

Skirt and blouse by Marble.

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Wed, 07 Dec 2011 18:27:01 -0600

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Mon, 05 Dec 2011 17:09:32 -0600

Beauty

Mon, 05 Dec 2011 00:33:05 -0600

My girlfriend is so beautiful that she has never had cause to develop any kind of personality. People are always wildly glad to see her, even though she does little more than sit around and smoke. She’s getting prettier, too. Last time she left the house she caused six car crashes, two coronaries, about thirty domestic disputes and an estimated six hundred unwanted and embarrassing erections. She seems to be quite indifferent to the havoc she causes. ‘I’m going to the shop for cigarettes,’ she’ll say, yawning with that succulent, glossy mouth. ‘I suppose you’d better call some ambulances or something.’

— Anthropology and a Hundred Other Stories, Dan Rhodes